X-Devian. The New Technologies To The People System, 2003

X-Devian and the Reprogramming of Free Software Culture. Although the use of free and open source software is becoming more widespread among non-specialist users all over the world, its (...)

 

Aire, Sonido, Poder (Air, Sound, Power), 2008

Social Control Technologies with Sound “Let sounds be themselves”, wrote John Cage, deservedly the most quoted artist. Anthropologist Jacques Maquet claims that “there is a universal aesthetic (...)

 

Crédulos (Credulous), 2002

One can establish an interactive relationship with a work, but none can be more meaningful than that which emerges from self-awareness, that which signifies an actual change in self-perception. (...)

 

Banco común de Conocimientos[BCC] (Common Knowledge Bank), 2006/08

Iis logical to think that the so-called Information and Knowledge Society we find ourselves in today assigns special value to information and knowledge, understood now as the agents driving the (...)

 

Sin Título (ciencia ficción)[No Title (science fiction)], 2001
Sin Título (ciencia ficción)[No Title (science fiction)], 2001

In the same space, we find two installations that deal with the hybrid, connective nature of new bodies. Suspended above visitors, there are five visions of the prosthetic body that (...)

 

Reina (Queen), 2007

Visitors see before them an almost completely closed room. Entrance is forbidden given that its only access is a small 20cm opening. Located in this present but inaccessible space is The Control (...)

 

El día E de la energía (E-day for energy), 2008

Globalisation means the possibility to access new markets, suppliers.. competition and access to goods all over the planet…This increases the offer variety, it means many oportunities for the (...)

 

Tangle, 2008

A tangle of cables scattered in the exhibition space and ends up covering with the walls and ceilings with unsettling images. The artist uses these incredible and delicate structures as a (...)

 

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